Complete Discography of
GX Jupitter-Larsen & The Haters

C D :


THE TOTIMORPHOUS
CD featuring a series of 16 noise collages. Each individual piece made from the sounds of things falling apart; some being partly or completely silent. Some of the gaps between the pieces are silent, while others are of noise. So while some pieces of silence are interrupted by gaps of noise and some pieces of noise are interrupted by gaps of silence, other pieces of noise are followed by gaps of more noise and other pieces of silence are followed by gaps of more silence. The theme being the role that uncertainty plays in knowledge. (V2 Archief, 1992)

BLANK BANNER
CD: "Noise as the Blank Banner of an Untitled Ideology", "The Facts On Polywave", "Strength Through Emptiness". (We Never Sleep, 1993)

WIND LICKED DIRT
Blank CD & sample of dirt packaged together with instructions which state that one plays the disc by rubbing dirt on it. Bypassing any need for a stereo. (Self-released, 1993) Video clip here.

URBAN SENSITIVITY
CD: "The Stuff Twitching", "Touch Upon Inappropriateness", "Accidental Similarity", "Slipping Between Slight". (Commercial Failure, 1994)

ORDINARILY NOWHERE
CD: "Smack", "Fireback", "Mangle Whack", "Make A Fire And Be Happy". (Released as part of the PURE Series by RRRecords, 1995)

MIND THE GAP
CD: "Mind The Gap #6", "Mind The Gap #8", and "Things Can Only Get Hater". All three tracks were produced from stapling records together with an amplified staple-gun. (Vinyl Communications, 1996)

DRUNK ON DECAY
CD: "Drunk On Decay 3", "Drunk On Decay 4", and "Drunk On Decay 5". All three tracks were produced from an amplified funnel eroding on rotating sandpaper. (Relapse/Release, 1997)

HEARING MUD DRY
Mini-CD: "Hearing Mud Dry". (V2 Archief, 1997)

THREE PHENOMENA
CD compilation of collaborations between K2, AMK, and The Haters. (Vinyl Communications, 1997)

CULTIVATING CALAMITY
CD: "Predetermined By Accident 8", "Predetermined By Accident 12", "Drop Ascending One", "Drop Ascending Two", "Drop Ascending Three", "Drop Ascending Four", "Cultivating Calamities", and "Cultivating Calamities Again". (Vinyl Communications, 1997)

DAVID IRELAND AND GX JUPITTER-LARSEN
CD featuring three collaborations between Jupitter-Larsen and David Ireland; "Anti-Time", "Kettleday", and "Xylowave". (Vinyl Communications, 1999)

DER DENKENDE ROSS TAT ES
CDR: "Der Denkende Ross tat es". (Tochnit Aleph, 1999)

THE HATERS, NOTABLY SCANNER
CD featuring collaborations between Jupitter-Larsen and Robin Rimbaud; "Dead Batteries 1 through 3". (Vinyl Communications, 1999)

HATERS' VOICE OF VICTORY
CD featuring the clici-clic, smash-up, and auto-crash versions of "Haters' Voice of Victory", "Shatter", "Mind The Gap #11" and "Mind The Gap #12". The 'Voice of Victory' tracks were all recorded using a race track's PA-system as an effects-pedal. The liner-notes were printed on a bumper-sticker. The whole collection is bundled by a 'Just-Wrecked Scent' air freshener. (Self Abuse Records, 2001)

SURVIVAL RESEARCH LABORATORIES
CD featuring selected excerpts of live soundtracks by GX Jupitter-Larsen for Mark Pauline's SRL performances from 1992 to 1998. (Sub Rosa, 2001)

DEATH-DEFYING SICKNESS
Mini-CD: 20 minute excerpt of "Death-Defying Sickness". (Banned, 2002)

UNTITLED TITLE SHOTS
CD of realtime recordings of the Untitled Title Belt feeding back on itself. No multi-tracking or post-production was applied; "Untitled Title Shot 15", "Untitled Title Shot 16", and "Untitled Title Shot 18".(Noisopoly, 2002)

DEATH-DEFYING SICKNESS
CD: "Death-Defying Sickness". (Noisopoly, 2002)

AUDIOTHECARY 9
Business-Card-CD packaged within a tightly bound brick of cardboard and scrap paper: "Audiothecary 9". (Banned, 2004)

THE HATERS 25th ANNIVERSARY
CD-Rom featuring a 25 hour long piece entitled "The Haters 25th Anniversary" in both the mp3 and ogg vorbis file formats. (Tochnit Aleph, 2004)

LIMITED EDITION
25 CDR box set: Each disc contains a noise collage of about 50 minutes on average. Every technique ever utilized by The Haters was incorporated into these recordings. Recorded during the first 6 months of 2004, this performance/release-project was only made available from the label's web site during the last 6 months of 2004. (TRONIKS, 2004) In 2007, slowpills posted the following review on I Heart Noise:..."vital in my reaching a fuller understanding of The Haters. All clean digital sounds that are what I would describe as 'none of the above', not beautiful or ugly, not connected with noise or electroacoustic canons... impenetrable (is) their best quality."

ZERO IS THE JOURNEY
CD featuring two collaborations between The Haters and The New Blockaders ( GX Jupitter-Larsen and Richard Rupenus ) entitled "Zero Is" and "The Journey". Packaged in a vinyl case with a 12 page booklet of images and Paneleze text by GX Jupitter-Larsen. (PsychForm Records, 2004) A review posted on Night Science:..."Zero Is The Journey is not destruction or entropy in action but the lull which follows the act, the void created by what used to be. The act of destruction is necessarily preceded by an existence - a previous wholeness - which is a necessity deemed superfluous to 'Zero Is The Journey' over its, at times, inanimate hour of anti-existence. 'Zero Is' bears the slightest discreet textural dynamic, utterly lifeless feedbacks the one constant as shards of the former existence appear at intermittent points in the travel; these are never hurried or complex, but a simple reminder of what occured before, that which the listener will never be privy to. The evocation is not zero-ness but of impending zero, the slide into nothingness and the coming loss. ‘The Journey’ is that bit closer to volatility - as if the journey is actually one away from zero - as the second half makes more explicit what only could be sensed in ‘Zero Is.’ Progress and dynamic movement are more obvious for the second half, which actually makes the structure of the work feel less rigid than the constricting approach of the first. ‘Zero Is The Journey’ is an audacious collaboration, the combination of much more than the sound; both more explicit and more intuitive than I thought possible, even from these two long-standing artists. That they manage to ignore activity, personality and musicality to just celebrate the way to nothing is one of the preeminent realistations of what both have been working many a year for."

MIND THE GAP 2005
Limited edition mini-CDR of "Mind The Gap 2005" which was made from stapling records together with an amplified staple-gun. (P-Tapes, 2005)

BANJAX
CD featuring three collaborations between GX Jupitter-Larsen and Allan Zane entitled "Banjax I-III". Standard edition of 900. An artist's edition of 100 was released in two parts. In the artist's edition, the CD is packaged in a silk-screened draw-string bag. It comes with a signed and numbered print by both, as well as a mail-in voucher for a Conceptual version of the release. (Somnimage, 2005) Joe Lombardo wrote a review of Banjax in the form of a poem here. Then Keith Moline in The Wire wrote: Less an album than a force of nature, Banjax is a noise showdown to end all noise showdowns. It veers constantly between noise as an annihilating force and noise as a product of destruction, between the corrupting and the corrupted. Electronically processed piledrivers and drilling equipment abound, along with an acrid, amorphous yet deadly ambience, like steam coming off an acid bath. Some passages sound like the duo are desperately trying to keep the lid on a volatile Pandora’s box... It’s extreme electronic noise, full of hate. You know you love it.

NIKUMU 2007
CD: "Nikumu 2007" parts 1 through 4. (Kubitsuri Tapes, 2007)


VINYL:


HATERS
EP with 5 tracks. (Self-released, 1981) East Berlin artist Robert Rehfeldt (1931-1993) utilized this record as the soundtrack for his 1981 short film "Art In Process". Unaware that the film had ever been completed, GX Jupitter-Larsen wouldn't actually see this collaboration in person until a chance visit to the Nationalgalerie in Berlin in 2003. It was being screened as part of a "Kunst In Der DDR" retrospective.

THE HATERS
Silent EP which comes with instructions which informs the holder that he must first complete the record by scratching it before he can listen to it on his stereo. (Self-released, 1983) This same year Paul Hurst released on his Sydney-based label, Societe Anonyme, a C60 cassette entitled "Performance". This tape featured different completed variations of this record from other artists. In the years to follow, a number of other labels from all over would issue similar releases. Video clip here.

THE HATERS, IN THE SHADE OF FIRE
LP of 10 noise compositions made from the sounds of things falling apart. (Silent Records, 1986)

WIND LICKED DIRT
Blank LP & sample of dirt packaged in a transparent bag with instructions which state that one plays the record by rubbing dirt on it. Bypassing any need for a stereo. (RRRecords, 1988)

FUCHAIT
Flexi disc: "Fuchait". (vis'a'vis, 1988)

TRACTOR
LP of 3 recordings taken from live performances. Grooves on one side run from edge to centre, while the grooves on the other side run centre to edge. (Alamut Records, 1988)

FIRE
EP featuring the fire soundtracks "Fire 20" and "Fire 21". Pressed on translucent flame-coloured vinyl. Packaged in a clear transparent sleeve marked with black fire motif. (Silent Records, 1990)

A BASIC INTRODUCTION TO THE T.N.U.
Enclosed in this special third printing is an EP featuring four tracks of Jupitter-Larsen reading from the said text. Record has standard grooves on one side, and random grooves on the other. Booklet printed on grey card; record pressed on grey vinyl. (Alamut Records, 1990)

DISSOLVING METAL ZEROS
Single featuring two collaborations between Jupitter-Larsen and David Jackman. Both individual pieces are entitled "Dissolving Metal Zeros". (Banned, 1993)

K2 & THE HATERS
EP featuring two collaborations between Jupitter-Larsen and Kimihide Kusafuka; "Smell of Shovel" and "Will for Junk Foods". (Jointly released by K.M.I. and Banned, 1994)

POLYWELLE TYKIT
Single-sided EP: "Polywelle Tykit". (Syntactic, 1994)

TRUNCATED FORMICA
EP: the smash and clici-clic versions of "Truncated Formica". (Self Abuse Records, 1995)

SWEET AUSTERITY
Mini-LP: "Kaboom", "Kapow", "Random Cross Sections", and "Brisk Blaze". On each side the outside track plays inwards while the inside track plays outwards. Both end at a silent lack groove in the middle of the record. (Commercial Failure, 1995)

PREDETERMINED BY ACCIDENT
EP: "Predetermined By Accident 8" and "Predetermined By Accident 12". (Vinyl Communications, 1995)

ROT
EP: "Rubbish Often Tears" and "Reflections Off Trash". Pressed on white vinyl. (Apraxia, 1995)

BREAKTHROUGH
Single featuring "Break" and "Through", two recordings of the sound of breaking glass. Pressed on clear vinyl. Produced & engineered by David Jackman. (Banned, 1995)

DROPS ASCENDING
Double EP: "Drop Ascending One", "Drop Ascending Two", "Drop Ascending Three", and "Drop Ascending Four". First 200 pressed on translucent green vinyl. (Vinyl Communications, 1995)

NIRGENDS
Picture Disc EP: "Nirgends 2" and "Nirgends 3" (Syntactic, 1995)

A FURTHERED PAUSE
EP: "A Furthered Pause 2" and "A Furthered Pause 3". (Robot Records, 1996)

NIKUMU
Single: "Nikumu Ni" and "Nikumu San". Half were pressed on translucent red vinyl, while the other half were pressed on clear vinyl. (kubitsuri Tapes, 1996)

AUTOFICIAL
Compilation-EP compiled by Jupitter-Larsen, and featuring "Rectal Mucus Popsicle" by Smell & Quim, "Flint" by Chop Shop, "Calldown" by Com-Dom, and "Rough" by The Haters. (Noisopoly 1996)

BLOTCH
Single: "Stain" and "Smear". Produced by Mark The 3 Kord Scissor King, sounds of destruction were sampled, edited, and processed beyond all recognition. (Behemoth Records, 1996)

HELLO HATER
Single: "Disconnected Number" and "Unlisted Number". Pressed on greenish-copper coloured vinyl. (Pinch A Loaf, 1997)

CULTIVATING CALAMITY
Mini-LP: "Cultivating Calamities" and "Cultivating Calamities Again" (Vinyl Communications, 1997)

LITTLE FYODOR AND THE HATERS
Single featuring two collaborations by Little Fyodor and The Haters. (Noisopoly 1998)

MANON ANNE GILLIS & G.X. JUPITTER-LARSEN
EP featuring two collaborations by Manon Anne Gillis and G.X. Jupitter-Larsen. Both tracks are featured as two distinct pieces interlaced together as double grooves on both sides of the record. (Noisopoly, 2000)

THE HATERS / JOHN WIESE
Single-sided LP with "Drunk On Decay 15" by The Haters, "Acrobats" by John Wiese, and 4 collaborative lock grooves. (Helicopter, 2000)

JOHN WIESE & G.X. JUPITTER-LARSEN
EP featuring excerpt of live radio broadcast on KDVS Davis, March 24 2002. (Helicopter, 2002)

DIRWYN 2006
Single featuring two collaborations by John Wiese and G.X. Jupitter-Larsen. (Helicopter, 2006)

POLYHEILUTTAA
Single featuring "Polyheiluttaa" & "Xyloheiluttaa". (Freak Animal, 2006)

CRICKETS IN THE HOLLYWOOD SUBWAY
Single featuring "Crickets in The Hollywood Subway" & "Tasmanian Devil About The Polywave". (Little Enjoyer, 2007)

MIND THE GAP 2008 (The IN-STORE ALBUM)
LP with 22 backwards parallel tracks. Eleven interlaced tracks per side that play from the inside out. The first in the In-Store series, this record is only available at the RRRecords actual store location in Lowell MA. No mail orders are allowed. Each copy has a personalized cover with a polaroid of the customer holding the record in the shop. Each individual record is actually named after the customer ie: "The _____________ Album". (RRRecords, 2008)

CONCEPTUAL:


OXYGEN IS FLAMMABLE
A broken piece of plastic packaged in a small box. Enclosed are instructions which state that the broken plastic is a record. And that it's played by pouring water over it. The instructions also call attention to possible similarities between the sounds of water falling and fire rising. (Self-released, 1990) Video clip here.

SHEAR
Ball of cotton batting packaged in a small box. Wrapped around the contents are instructions on three thin strips of paper. Instructions which informs the holder that the cotton batting is a recording. And that this record is played by being squeezed. The sound this record gives being a "sharp fluffy slightness" and a "thin fluffy pressed". (Self-released, 1991) Video clip here.

CASSETTE:


THE WHIPPING
C60 featuring a noise collage in two parts. A sound-poem made from the shrieks & cackle of a young girl being whipped by her lover. (We Never Sleep, 1987)

THE WHIPPING
C90 re-mix of the C60. (We Never Sleep, 1988)

NIKUMU
C60 sounds of things fulling apart. (Angakok, 1989)

CLICI-CLIC
C60 featuring clici-clicing. (SPH-Portugal, 1992)

SILENT SHOVELS SMASHING SUT
C30 containing a two-part collage made from the sounds of things falling apart. Included is a 12 page booklet, published in Chinese, containing text about The Haters by the editors of the Taiwanese magazine Noise. (Noise, 1994)

THE SUBSEQUENT RIP
C02 featuring clici-clicing on one side and over-modulated paper-tearing on the other. (Banned, 1995)

AUDIOTHECARY
C01 featuring "Audiothecary 11" on one side and "Audiothecary 12" on the other. (SRR, 2004)

WEB RELEASES:


GX Jupitter-Larsen & Blackhouse collaboration (2006) link.

Kenji Siratori & GX Jupitter-Larsen collaborations (2006) link.

GX Jupitter-Larsen & Government Alpha collaboration (2006) link.

Rafael Flores & GX Jupitter-Larsen collaboration (2007) link.

GX Jupitter-Larsen with Cheapmachines (2007) link.

GX Jupitter-Larsen with Torturing Nurse (2008) link.

COMPILATIONS & SPLITS:


At last count, GX Jupitter-Larsen (either solo or as The Haters) was featured on 309 CD, vinyl, and tape compilations & splits.

  • A xylowave occurs everytime an effect has no cause, or a cause has no effect.